![]() ![]() ![]() The book concludes with a discussion of the lasting legacies of NTR in the present times when film has yielded its pride of place to television, the bifurcation of Andhra Pradesh is imminent and institution of the star-politician itself appears to be on the wane.This app gives you the total listing of all Bharathiar songs. The in-depth analysis of NTR’s remarkable election campaign in the 1982-83 and revisits the “decline of Congress” thesis to draw attention to the larger transformation of electoral mobilisation with to the convergence of film, newspaper and the audio cassette on a performer who carried over his acting style from the screen to the election platform. This book examines in detail the career of Andhra Pradesh’s best known film star, Nandamuri Taraka Rama Rao (NTR) to show how Telugu cinema re-defined notions of linguistic identity and community for a non-literate public to create complex and multiple linkages between the consumption of cultural commodities and political mobilization. Tracing a fifty-year history of Telugu cinema, as a industry and cultural form, this book shows how film is directly implicated in the rise to prominence of an elite which continues to dominate parts of the country to this day and, the emergence of a new idiom of mass politics. “The ‘Architectonics’ of Corporeal and Textual Selves: From Durga via Charulata and Banalata Sen to the ‘Virtual’ Indian Woman”. Keywords: woman, self, literature, painting, film, Bakhtin, Indian culture" CITATION: Ceciu, Ramona L. I emphasize these concepts with regard to the dialogue between artists and authors, and between the work of art and its readers. I attempt an inter-textual reading of the literary/visual corporeal and textual selves, by drawing mainly on Bakhtin's concepts of "architectonics" and "answerability". It discusses the manner in which the woman was variously represented in line with the cultural architectonics that assigned her particular identities––from the woman as goddess/mother, located in the private space to the woman as modern entity located within the public (urban) domain, as well as the outcast woman and the virtual woman. "This paper traces a line of thought in representations of the Indian woman across literary and visual genres, from the so-called traditional to modern conceptualizations. ![]()
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